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Creative production studio Motion Theory has been recognized for its groundbreaking projects, receiving awards from the AICP, Grammys, AIGA, Art Directors Club, Clios, and D&AD awards for outstanding direction, creative design, animation and multi-channel work.
Motion Theory applies generative art techniques into a new TV commercial for IBM via ad agency Ogilvy & Mather/New York. Directed by Motion Theory's Mathew Cullen, the :30 spot "Data Baby" is part of IBM's "Smarter Planet" campaign and incorporates data-driven design derived from a newborn's vital signs to convey that IBM's technologies help analyze data to build smarter hospitals. "Data Baby" broke on network television on March 14.
"We wanted to convey to people that we now have the computational
power and advanced analytics to see data in new ways so we
can make sense of it to help build a smarter planet," said
Tom Godici, Executive Creative Director, Ogilvy & Mather/NY. "We
knew Motion Theory had a lot of experience with
generative art, turning mathematical algorithms into dynamic natural patterns, and could work with us to find the most compelling ways possible of visualizing actual data."
The cornerstone of the "Smarter Planet" campaign is a new visual language developed collectively by the director, designers and code artists at Motion Theory. The team built custom code that translates spreadsheets of raw numerical data derived, in the case of "Data Baby," from a newborn's respiratory, heart rate, blood pressure, EKG, oxygen saturation and temperature readings into motion paths that move and evolve design elementsorganically across image sequences.
In the spot, patterns gently float up in-frame, seemingly from the surface of a newborn baby resting in a neonatal ward. Ethereal CG life patterns, fractal-like shapes and other visual expressions flow upwards to form a stylized mobile that is captured as a reflection in the baby's eye. These beautiful design elements warmly envelop the baby, delivering an authentic visual representation of the myriad pieces of data made available to doctors with the help of IBM technology. This is data, as the spot conveys, that helps doctors treat babies more effectively and build smarter hospitals.
Production on "Data Baby" spanned January through March 2010. R&D included bringing on board a medical consultant, developing custom code to process and visualize data, and implementing a workflow for importing camera motion paths and tracking, curves, and models of the baby to match the exact movements of four infants filmed live on set. Cullen directed and oversaw a three-day live-action shoot in LA, teaming up once again with Academy Award-winning DP Guillermo Navarro, a longtime Motion Theory collaborator whose feature film credits include "Pan's Labyrinth," "The Devil's Backbone" and "Hellboy." Production, VFX, editorial and finishing was handled in-house at Motion Theory. In addition to C++ code developed for this campaign, the production toolkit included Autodesk Maya, Maxon Cinema 4D, Adobe After Effects and The Foundry's Nuke.
"Our challenge for 'Data Baby' and IBM's overall campaign is to strike a balance between artfulness and an accurate representation of technological data. It took extensive R&D and a unique production pipeline that included a specialized team of programmers helping to visualize mass authentic real world data sets," said Cullen. "'Data Baby' is at its essence a spot that seeks to humanize data and reinforce the comforting presence of science and human interconnectedness. It's the most challenging generative project we've ever done and the culmination of our almost 10 years working with scientific visualizations and programming art."
See Also :
IBM "Smarter Planet"
Creative Director: Rob Jamieson, Chris Van Oosterhout
Design Leads: Paul B. Kim, Satomi Nagata
Onset FX Supervisor: Sean Looper, Trevor
SOUND DESIGN + MUSIC