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CG Gallery Awards - Febuary 2010 |
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Spot Focus : Good Stuff |

Digital production studio Speedshape recently helmed VFX for the annual Hess Holiday Toy commercial campaign, unveiling the brand-new Hess toy. A tradition embraced by children and collectors alike, the series dates back to 1964 when company founder Leon Hess aspired to offer families an affordable, quality holiday toy. This year, Hess places something different under the tree -- two toys, in fact: The 2009 Hess Race Car and Racer.
From the broad stokes of the wintry environment development, to the subtleties
of Christmas décor and the dynamic animation of the racecars, Speedshape
created CG animations, matte paintings and 3D renderings, delivering a total
of 23 full CG shots, 17 CG live action integration shots, as well as all compositing
and finishing.
"We created the 3D renders of the racecars with a combination of HDRI environments for distant environmental reflection and lighting, and built full 3D environments for closer proximity reflections -- not forgetting the great key and fill lighting from the team," comments VFX Supervisor Connor Meechan. "This combination coupled with our compositing pipeline made it possible to bring to life our client's vision and then exceed it."
Live elements were shot outside Toronto, with Speedshape working
closely on-set with Sparks Productions to ensure every aspect of
the live action shoot would work within its creative pipeline.
Speedshape captured HDRI environments and images for digital props
and reflections, and shot footage of various groups of talent for
crowd simulation sequences. Additionally, Meechan and CG Supervisor
John Ikera traveled to Leavenworth, WA for a shoot that would be
used to re-create the Christmas village via image modeling the
entire town.
"We did a lot of front-end preparation and planning before we arrived on location, allowing the integration of CG with the live action to go quite well," remarks Meechan. "Plus, working with Dale Fay [Sparks] was very helpful, he has a lot of experience directing visual effects pieces."
Speedshape overcame significant challenges with set extension and zone and clone crowd compositing on particular shots. The biggest challenge, according to Meechan, was creating the myriad of environments unique to each shot: "There were assets that we repurposed from shot to shot," says Meechan. "However, each shot was unique enough to keep environment development interesting for us. Given all the challenges and our parameters, I am extremely proud of what our team achieved."
In post, Speedshape utilized projected matte painting techniques coupled with dynamic vehicle animation, lighting, and texturing, all topped off with snow FX generated in Houdini to bring the vision to life.
Speedshape's pipeline utilized an array of software, including 3DS max and Maya (3D), V-ray (rendering), Houdini for FX, Nuke for compositing, Scratch (final color and DI), and Final Cut for titling and conform. All these platforms, talent and activities were put to use in Speedshape's state-of-the-art facility in Venice, CA.
"The Hess Toy Truck tradition is one of those rare 'Rockwellian' gems that has survived modern day hoopla, recalling a simpler time in terms of the holiday season," adds Speedshape's Managing Director in Los Angeles, Steven Spieczny. "The Hess commercial tradition elicited inspiration for the entire Speedshape team to thrive on and we look forward to being a part of the 2011 campaign," concludes Spieczny.

Links
Credits
Client: Hess Gas Agency: GREY NY Production Company: SPARKS
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CGI/Post Production: SPEEDSHAPE 2D Compositing: SIMPLE TRICKS AND NONSENSE Editorial: SPEEDMEDIA
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